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What he()was that you didn't tell the whole truth.
A . referred
B . implied
C . inclined
D . accorded
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In Aristotle’s words, who is more to the truth than historian?
A、structure
B、frame
C、manner
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Most people would agree that only in exceptional circumstances ____ the truth from the patient.
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Thomas More is well-known for Utopia in which he gave a profound and truthful picture of the people's sufferings and put forward his ideas of an ideal society.
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To tell you the truth, I think it is you, ________ Bernard, ________
to blame.
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Disgust is one of “the six basic human_____”, along with happiness, sadness, anger, fear and surprise.
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“It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.” is from ___________, written by __________.
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Which of the following combinations of truth-values would prove that an argument is invalid ?
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The truth ________ the moon orbits the sun is doubted by some scientists.
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It is sad to see that sometimes manufacturers and sellers may _____ together to sell expired food.
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Is there something as truth? For a good many centuries "the search for truth" has been (31
Is there something as truth? For a good many centuries "the search for truth" has been (31) the noblest activity of the human mind, but the seekers after truth have come to such (32) conclusions that it often seems that very little progress has been made. (33) , there are many people who reel that we are actually going backward. They (34) , often contemptuously, that we have accumulated more "knowledge" than our ancestors, but they think we are farther from the truth than ever, or even that we have (35) the truth that we once possessed. If people look for anything long enough without finding it, the question naturally arises (36) the thing is really there to find. You have seen a picture of an animal with a lion's head, a goat's body, and a serpent's tail--and maybe an eagle's wings for good (37) There is plenty of evidence that each part of this animal (38) --but there is no (39) evidence that the parts ever occur in this combination. It is at least conceivable that the seekers after "truth" have made a similar mistake and invented an (40) combination.A.regardedB.consideredC.ponderedD.referred
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Modern scientists ______ that truth is not something that we assume, but something found at the end of long investigations.
A.affirm
B.confirm
C.suppose
D.presume
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P(n) is the predicate ’if 4 divides n then 2 divides n’. What is the truth value of P?()
A、10
B、F
C、T
D、None of the above
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_________that was only a harmless lie. i didn't want to hurt her. i know if she know the truth, she would do something silly.
A.A.a grey lie
B.B.a red lie
C.C.a white lie
D.D.a green lie
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The last paragraph indicates the truth that______.
A.TV violence makes some children more violent and others more passive
B.the long-term exposure to TV violence is the major cause of violence
C.violence has little to do with TV but much with children's nature
D.the family and social environment play a big role in children's violence
此题为多项选择题。
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"A writer's job is to tell the truth," said Hemingway in 1942. No other writer of our time had so fiercely asserted, so pugnaciously defended or so consistently exemplified the writer's obligation to speak truly His standard of truth-telling remained, moreover, so high and so rigorous that he was ordinarily unwilling to admit secondary evidence, whether literary evidence or evidence picked up from other sources than his own experience. "I only know what I have seen," was a statement which came often to his lips and pen. What he had personally done, or what he knew unforgettably by having gone through one version of it, was what he was interested in telling about. This is not to say that he refused to invent freely. But he always made it a sacrosanct point to invent in terms of what he actually knew from having been there.
The primary intent of his writing, from first to last, was to seize and project for the reader what he often called "the way it .was." This is a characteristically simple phrase for a concept of extraordinary complexity, and Hemingway's conception of its meaning subtly changed several times in the course of his career--always in the direction of greater complexity. At the core of the concept, however, one can invariably discern the operation of three aesthetic instruments; the sense of place the sense of fact and the sense of scene.
The first of these, obviously a strong passion with Hemingway is the sense of place. "Unless you have geography, background," he once told George Anteil, "You have nothing." You have, that is to say, a dramatic vacuum. Few writers have been more place-conscious. Few have s carefully charted out she geographical ground work of their novels while managing to keep background so conspicuously unobtrusive. Few, accordingly, have been able to record more economically and graphically the way it is when you walk through the streets of Paris in search of breakfast at corner café… Or when, at around six o' clock of a Spanish dawn, you watch the bulls running from the corrals at the Puerta Rochapea through the streets of Pamplona towards the bullring.
"When I woke it was the sound of the rocket exploding that announced the release of the bulls from the corrals at the edge of town. Down below the narrow street was empty. All the balconies were crowded with people. Suddenly a crowd came down the street. They were all running, packed close together. They passed along and up street toward the bullring and behind them came more men running faster, and then some stragglers who ere really running. Behind them was a little bare space, and then the bulls, galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together."
This landscape is as morning-fresh as a design in India ink on clean white paper. First is the bare white street, seem from above, quiet and empty. Then one sees the first packed clot of runners. Behind these are the thinner ranks of those who move faster because they are closer to bulls. Then the almost comic stragglers, who are "really running." Brilliantly behind these shines the "little bare space," a desperate margin for error. Then the clot of running bulls-closing the design, except of course for the man in the gutter making himself, like the designer's initials, as inconspicuous as possible.
According to the author, Hemingway's primary purpose in telling a story was ______.
A.to construct a well-told story that the reader would thoroughly enjoy.
B.To construct a story that would reflect truths that were not particular to a specific historical period
C.To begin from reality but to allow his imagination to roam from "the way it was" to "the way it might have been"
D.To report faithfully reality as Hemingway had experienced it.
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It is astonishing how little is known about the working of the mind. But however little or much is known, it is fairly clear that the model of the logic-machine is not only wrong but mischievous. There are people who profess to believe that man can live by logic alone. If only they say, men developed their reason, looked at all situations and dilemmas logically, and proceeded to devise rational solutions, all human problems would be solved. Be reasonable. Think logically. Act rationally. This line of thought is very persuasive, not to say seductive, 1. It is astonishing, however, how frequently the people most fanatically devoted to logic and reason, to a cold review of the "facts" and a calculated construction of the truth, turn out not only to be terribly emotional in argumentation, but obstinate any "truth" is "proved"——deeply committed to emotional positions that prove reek-resistible to the most massive accumulation of unsympathetic facts and proofs.
2. If man's mind cannot be turned into a logic-machine, neither can it function properly as a great emotional sponge, to be squeezed at will. All of us have known people who gush as a general response to life——who gush in seeing a sunset, who gush in reading a book, who gush in meeting a friend. They may seem to live by emotion alone, but their constant gushing is a disguise for absence of genuine feeling, a torrent rushing to fill a vacuum. It is not uncommon to find beneath the gush a cold, analytic mind that is astonishing in its meticulousness and ruthless in its calculation.
Somewhere between machine and sponge lies the reality of the mind——a blend of reason and emotion, of actuality and imagination, of fact and feeling. 3. The entanglement is so complete, the mixture so thoroughly mixed, that it is probably impossible to achieve pure reason or pure reason or pure emotion, at least for any sustained period of time.
4. It is probably best to assume that all our reasoning is fused with our emotional commitments and beliefs, all our thoughts colored by feelings that lie deep within our psyches. Moreover, it is probably best to assume that this stream of emotion is not a poison, not even a taint, but is a positive life-source, a stream of psychic energy that animates and vitalizes our entire thought process. 5. The roots of reason are embedded in feelings——feelings that have formed and accumulated and developed over a lifetime of personality-shaping. These feelings are not for occasional using but are inescapable. To know what we think, we must know how we feel. It is feeling that shapes belief and forms opinion. It is feeling that directs the strategy of argument. It is our feelings, then, with which we must come to honorable terms.
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You might think that borrowing a match upon the street is a simple thing. But any man who has ever tried it will assure you that it is not, and will be prepared to swear on oath to the truth of my experience of the other evening.
I was standing on the corner of the street with a cigar that I wanted to light. I had no match. I waited till a decent, ordinary man came along. Then I said:
"Excuse me, sir, but could you oblige me with the loan of a match?"
"A match?" he said, "why, certainly." Then he unbuttoned his overcoat and put his hand in the pocket of his waistcoat. "I know I have one," he went on, "and I'd almost swear it's in the bottom pocket — or, hold on, though, I guess it may be in the top — just wait till I put these parcels down on the sidewalk."
"Oh, don't trouble," I said. "It's really of no consequence."
"Oh, it's no trouble, I'll have it in a minute; I know there must be one in here somewhere"—he was digging his fingers into his pockets as he spoke — "but you see this isn't the waistcoat that I generally…"
I saw that the man was getting excited about it. "Well, never mind," I protested; "if that isn't the waistcoat that you generally — why, it doesn't matter."
"Hold on, now, hold on!" the man said. "I've got one of the cursed things in here somewhere. I guess it must be in with my watch. No, it's not there either. Wait till I try my coat. If that damned tailor only knew enough to make a pocket so that a man could get at it!"
He was getting pretty well worked up now. He had thrown down his walking-stick and was searching his pockets with his teeth set. "It's that cursed young boy of mine," he exasperated; "this comes of his fooling in my pockets. By God! perhaps I won't warm him up when I get home. Say, I'll bet that it's in my hippocket. You just hold up the tail of my overcoat a second till I…"
"No, no," I protested again,"please don't take all this trouble, it really doesn't matter. I'm sure you needn't take off your overcoat, and oh, pray don't throw away your letters and things in the snow like that, and tear out your pockets by the roots! Please, please don't trample over your overcoat and put your feet through the parcels. I do hate to hear you swearing at your little boy, with that peculiar grumble in your voice. Don't — please don't tear your clothes so savagely."
Suddenly the man gave a grunt of joy, and drew his hand up from inside the lining of his coat.
"I've got it," he cried. "Here you are!" Then he brought it out under the light.
It was a toothpick.
Yielding to the impulse of the moment I pushed him under the wheels of a trolley-car and ran.
The author narrates the story in a _________________ tone?
A.sorrowful
B.humorous
C.indifferent
D.excited
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The Oxford Dictionaries Word of the Year for 2015 is not a word at all, but an emoji, which is formally named the“Face with Tears of Sadness.”( )
对
错
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Eco travel is a form of travel that c normal tourism with learning.
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I can tell you the truth()that you promise to keep it a secret.
A、with condition
B、under condition
C、on condition
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In Emerson’s transcendentalism,______ is the supreme source of truth()
A.the individual
B.the society
C.the universe
D.God
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请选出下列包含从句最少的一句 (单选) 1) In the past, suffering from the shortage of material supplies, people always cherished things they owned. 2) In order to solve the problem, governments' discerning intervention and guidance, such as making laws and encouraging eco-friendly economy, can make a difference. 3) Many people believe that the human society has developed into a throwaway society, which is filled with plastic bags and rubbish. 4) So that is why our
A.1)
B.2)
C.3)
D.4)
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In the poem “I Loved You”, by saying “I do not want to sadden you again”, the narrator implies that he never loved her and his love caused sadness to her.()
此题为判断题(对,错)。